Review~ Something New With Splashes Of The Old, Colin Farrell; Total Recall

 Total Recall (2012), with Colin Farrell, Kate Beckinsale, Jessica Biel & Bryan Cranston.  Len Wiseman, director.  I’ve about had it up to my eyeballs with remakes, re-do’s & reboots; as far as having to actually describe these things as if they’re “new” movies.  They’re not new.  So, I’ve decided to just point out a few things & give general impressions & then maybe a recommend or a kick in the pants.  Maybe not even that.  Also, I’m not going to stroll down memory lane by listing comparisons to the original movie(s) as if previous eras or decades were somewhere worse or better than our present day.  However; please realize that a remake cannot be spoiled, except in the most extreme instances.

This film was very slick, with a nod here & there for the original film which is a cult classic.  Being a re-visualization of the original story, it had to have something to sell itself & that was superb “sets”, a story that almost took the same road but tended to veer off like a railroad’s sidetrack & the expected A-Z was a bit blurry.

I thought Farrell was lame.  His performance as a wide-eyed Schwarzenegger replacement seemed almost without life & his normally vibrant & kicking personality was definitely lost within the whole shebang.  Gone was the striving Alexander the Great, hoping to make a statement & a mark on the wall.  We’ll hope for a better effort with whatever he’s doing next.

Even Beckinsale was a crispy piece of wheat bread that was left out in the rain.  Nothing there, but her remembered performance in her signature Underworld (movie franchise) performances.  Casting her with Biel was a mistake because Jessica was the ray of light in this interesting but predictable film.  It’s not flattering to be out shown by a fellow supporting actor.  I say Predictable because one can predict that they must do some thing different.

If there is a film that visually inspired this action mess, I would say it’s Blade Runner.  You know, the whole steamy mess with way too much oriental influence & if you see the film you will notice more than one paper lantern & parasol.  The reminder is sort of an insult.  So many ideas & books, books, books & all they can come up with is a Blade Runner/Transformers combo?  It was effective, but lazy in my opinion.  A disappointment when thinking about it later.  But not enough to give this movie my worst.

As I noted, Biel was excellent.  Candid, attractive & talented – she carried the show.  The baton twirler marching in front of the band that takes the focus off the boy playing the bazooka, with pimples in the back row.

As this was a big, expected blockbuster (among many) of the Summer & will give my recommendation.  See it.

After all, life is filled with repetition & this re-do is Okay.  Just don’t expect much from Farrell.  At least he shaved his face for some of his scenes.  That’s worth a look.

I will blatantly spoil one thing.  In the original film one of the special effect highlights was a wall-sized television screen.  In this film, evidently mankind hasn’t gotten past wide-screen TV format & the occasional holographic display doesn’t count, thank you.

Review~ Taught SciFi Adventure, Guy Pearce Once Again Masters The Screen; Lockout

  Lockout, with Guy Pearce, Maggie Grace, Peter Stormare, Lennie James & Vincent Regan.  Directors, James Mather & Stephen St. Legar.  I’ve heard that a lot of reviewers didn’t like this & rated it low, low, low.  When I like an actor it takes more than rumor or even a merely adequate production to put me off.  My instincts & character judgment are
excellent, with actors, friends & items on a restaurant menu.  As I’ve previously noted, there’s nothing wrong with a formula, if it works.  This definitely works.

Pearce is most excellent as an action star with the plus that he actually is an actor capable of different character roles, instead of one way of being in a variety of films.  Like the best of the action stars he’s able to buff up, thin down, chop his hair off or any other requirements required to do the job.  What sets him apart is his ability to be different things convincingly, without resorting to cliche’.  He’s never disappointed me.  Ever.  He deserves the big bucks, more so than a Cruise or a Damon.

The run up to this film was actually eclipsed by Prometheus, as far as Pearce was concerned.  It is a pity his role in the first big ding dong of the Summer was so small.  Oh well, we don’t often understand what we have in our tool kits until it’s running down the street.

The formula was the same satisfying equation used in Escape from New York or any number of others involving sending a tough guy to rescue someone important from a bad situation.  Understandable & ready for an unlimited number of variants to fill in the blanks.  This movie relied on the special effects, which were fantastic, a believable script, wonderful actors & a terse, to the point script.

One of the requirements of good science fiction is that it has to be believable & within the parameters of future possibility & physics.  Unlike many sci-fi films, the technology portrayed wasn’t too fantastical; as it shouldn’t be since the setting is merely 5 or so decades into the future.  There is a space station of enormous size & space shuttle-like ships to get there.  Otherwise; on the Earth there are freeways & skylines that are not too shocking.  It’s not an over-reach like Blade Runner or Minority Report.  Both good films, but truly unbelievable.  Whether people admit it or not.

Grace is a delicious actress that I want to see in more & larger productions.  With what she had to work with, she was more than adequate – &… she’s beautiful to boot!  Other than a few hiccups in the script, maudlin moments drawn out five or ten seconds too long, she was able to be a partner, action star.  Lucky for her the big name was Pearce.  He’s going places, maybe she can hitch a ride.

If you’re looking for a quick fix before going out on the town.  See it.  I recommend this film.  It’s slick & has Guy Pearce.

UPDATE/SPOILER 071712

There are weaknesses in the movie that I now feel compelled to note:

In the beginning; it struck me as sort of lame that a prisoner, who had been temporarily released so that Maggie Grace’s character could interview him, escaped so easily, grabbing a gun off an idiot’s ankle holster & then subsequently, he was able to easily release all the prisoners in the maximum security space station prison.

Pearce punches Grace in the mouth in order to make her look tough, after putting a bunch of goop in her hair to make her look something other than herself.  She looks like herself with a punched mouth & cropped goopy hair.  Lame.

Stormare’s character, Secret Service chief, overrides the U.S. President decision not to fire on the station which is crashing to the Earth because his daughter (Grace) is on the station.  Using the standard incompetence thing with an already prepared document showing the specific law or power in order to override the president.  Incomprehensible in any era.

Though it kills me to stab at a film which stars Guy Pearce.  Thanks.

Paltrow tweets N word, old memories muster a Munsters return with Jerry O’Connell

The past few days haven’t been a part of a banner year for Gwyneth Paltrow, who arrived in London (with her children) for a concert given by Jay-Z & Kanye West & tweeted to her drips, using the forbidden N-word, for the public record!

Ni**as in paris for real @mrteriusnash (the dream) tyty, beehigh http://say.ly/ySc3rTP

There was a bit of a Twitter scuffle to which she countered,

Hold up. It’s the title of the song!

If you ask me – I’d say she feels comfortable enough to use the word, song or not.   One doesn’t speak the forbidden word, encased in a “song” or solo, unless you’re black.  Isn’t that the way it is?  Otherwise, there’d sure be a lot of bad folk slinging around the insult, all the time, night & day.

However; we must remember, in this country (America) we have freedom of speech & expression.  She (Paltrow) is certainly free to be the kind of person that spews racism right & left.  Usually in private, with similar-minded friends.  Here I thought she was a Liberal who adhered to the sacred precepts of political correctness.

One of the iconic sitcoms of my childhood, The Munsters, is being re-stuffed in the form of Mockingbird Lane, starring Jerry O’Connell, for NBC.  Collider reports this good news for the dusty old comedy.

As a kid, I saw the original fabricated house-prop on the set of Universal, many times, during the late 1960′s & early 70′s.  We would always end up on a family vacation in Southern California, seeing all the tourist traps, new & old.  Before Universal streamlined its lot into an amusement park, there were tours through the working sets (while not in use).  Everything from the house from Psycho to brick building, faux-residential districts was something to rubber-neck at.

Seeing the reality, behind these TV shows & films was always a shock & letdown.  The allusion of larger than life can be shattered so easily when you’re only a few years out of diapers.  A good lesson it was, in the slight of hand that old Hollywood conjured for it audiences.

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